Is it history? Is it fiction? Is it historical fiction? Fictional history? Well, it is a little bit of everything. And then some.
The twentieth century has just been born and current events are creating history. The New World is filling up with immigrants from across the world, immigrants pouring into the streets with their hopes and shattered dreams; the lucky ones sleeping in one room houses without heat, the unlucky ones dropping dead on the streets. Socialism and anarchism are trying hard to make their mark in America, the champions of the causes are being silenced with quick efficiency. Freud visits America and hates it. A young father ties his daughter to his waist, terrified that he will lose her, as he cuts silhouettes and sells them in street corners. Evelyn Nesbit’s husband has just killed her lover. She entertains herself with acquired motherhood, and becomes obsessed with taking care of the little girl. Emma Goldman is making fiery speeches across the country and takes a heartbroken Evelyn Nesbit under her wing, trying to make an independent woman of her.
The moving assembly line has just been discovered and and workers with unused brains are churning out cars by the dozen. The rich and famous are getting their dose of entertainment through disfigured human beings. Harry Houdini is at his peak, insecure and disillusioned that he is not actually doing something useful for society, mourning his dead mother like a madman. J P Morgan is convinced that Henry Ford is an Egyptian god reincarnated. And in this America, in a small town called New Rochelle there lives the family of Father, Mother, the boy, Mother’s Younger Brother and ailing Grandfather.
Father’s long absence during his North Pole expedition with Peary has tilted the equations and Mother develops a newfound confidence and a taste for Egyptian furnishings. Father is confused, angry but helpless against the circumstances. Mother’s Younger Brother, as directionless as a loose kite, looks for answers in Evelyn Nesbit’s bed at first and then he discovers his true calling in fighting someone else’s battles. A brown baby is dug up from the earth, alive. The baby’s mother comes looking for the baby and the baby’s father, Coalhouse Walker, comes looking for both of them.
You know that cliched saying about terrorists not being born, but being created by you and me? That. Coalhouse Walker is this negro who doesn’t realise that he should behave like one. So when some jealous white firemen bully him and vandalise his car, he does the right thing: he goes to the authorities. But the snowball becomes an avalanche and before you know it, he is bombing firehouses across the city to be heard, to have his only demand of getting his car fixed and the vandal arrested met. And finally, he takes us back to J P Morgan’s library; but this time, instead of Henry Ford for company, there is dynamite.
And back to current events of the day, Archduke Franz Ferdinand gets assassinated. The rest, as they say, is history.
A patchwork quilt. Loved it.
Thank you The Visitor for the recommendation.